But on a TV screen, they might be sort of holding it up, and we're looking at them from eight feet away. Military ID cards, police identification, even the FBI identification, they're meant to be looked at really close up. But specialized IDs pose another problem. For these, prop artists can make fake chips out of vinyl to stick on top of the ID, or they can print it on a card that already has the fake chip built in. And for special forms of ID, like those for the US Army, the prop makers might have to mimic metal chips. For projects that call for close-ups, they use this old-school embossing machine to make sure the lighting reflects off the numbers on the card in the right way. Narrator: Laminating will also give it the weight of an actual driver's license, so that when the actor holds the card, it not only looks, but feels like the real deal. And that's what we're going to get from the lamination process. Jacob: A lot of the driver's licenses you see, especially now, have this kind of matte, but also a bit of a sheen look. Narrator: To nail the aesthetics, prop makers often focus on the sheen of the ID. Ross: The rule of thumb is convincing is better than accurate. Luckily, according to graphic props artists Ross MacDonald, simplifying elements like holograms and shadow images can make the ID look better on screen, since it won't be as jammed with tiny details. Narrator: For a special close-up, they might simulate the hologram physically using a silk screen and iridescent powders mixed with clear ink. Jacob Kubon: There's a lot of tricks that you can use in the graphic itself to make it look like it's catching light and having some shine to it. Like with this New Mexico driver's license, which The Hand Prop Room made for "Black Widow." The photo of Scarlett Johansson has been swapped in for a stock photo, and the hologram, which in real IDs would be 3D, is actually 2D. It's the prop maker's job to make these IDs look as real as possible on screen without crossing into any legal gray areas. Check the base of any new text you enter to ensure that it lines up with the other characters on the ID.When creating fake IDs for production, agencies might limit their customers to major studios.Try to modify as few of the text fields as possible since the clone tools in editing programs will only work on a smaller scale with the complicated backgrounds of most IDs. If you plan on changing entire lines of text, the end result is going to look really bad.Similarly, you can turn a 6 into an 8 by cloning the bottom right of the lower loop and pasting it into the opening. For example, you can turn an 8 into a 6 by clone stamping the upper section of an 8 on the right. You can zoom in and modify the text that already exists instead of replacing it.Place a text box over any letters or numbers that you need to replace before typing in new values. Move the copied piece of background over the letter and number and place it to make it seem like it was never there in the first place. Zoom in on the ID and copy the blank piece of background right next to the letter or number you’re changing. Use the clone tool or “clone stamp” to cover any letters or numbers that you want to change. Try to duplicate the background on the original ID by hanging a drape or bedsheet of the same color behind you.Ĭover type by copying and pasting the background over old text.
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